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Music
2026.09.06
The Story of Yerin Baek Deepening Like Water with Just Three Songs
A Listening Sequence That Captures the Beginning, Middle, and End of the Single 'Fish'
'Fish' may be a quick listen with just three tracks, but if you only play the title song in the middle, you might miss the warmth of the story before and after it. 'It was me' first creates the space for the speaker, followed by 'Pisces,' which unfolds the imagery of the Pisces constellation, and finally, 'The loved one' closes the single while looking at the beloved. This list reads the three songs as a single short piece.
Instead of artificially increasing the number of items, we only used the three songs included in the official single. Even though they share the same cover and release date, their titles, playtimes, and roles differ. Let’s explore how the point of view in the first song changes through the title track and into the last song, and witness the moments where the imagery of water and constellations meets the spaces in the vocals.
Instead of artificially increasing the number of items, we only used the three songs included in the official single. Even though they share the same cover and release date, their titles, playtimes, and roles differ. Let’s explore how the point of view in the first song changes through the title track and into the last song, and witness the moments where the imagery of water and constellations meets the spaces in the vocals.
Yerin Baek - It was me
The first piece we encounter in 'The Story of Yerin Baek Deepening Like Water with Just Three Songs' is 'It was me.' The theme that materializes here at the first point among the three is the structure of the three songs in the single 'Fish.' The official track of 'It was me' from list 3979 is from 'Pisces - Single,' released on 2022-05-24. This first track by artist Yerin Baek has a playtime of 201 seconds. By viewing the official information and actual playback together, the reason for its inclusion as the first becomes more apparent than the first impression from the title.
The first listening question to apply to the piece 'It was me' is 'How do the beginning, middle, and end share the same imagery and emotions?' When listening to the introduction of 'It was me' from list 3979, mark the first instrument that appears, and in the chorus, examine the density of voice and rhythm. In the section where the first track ends, determine whether it closes the emotion or leaves a next scene. Instead of settling on a single answer for 'It was me,' if you record one of the lingering sounds, lyrics, or visuals each, you will generate a basis for interpretation. Focusing more on the criteria of this list rather than the recognizability of the piece 'It was me' allows for a fresh listening experience of familiar music from a new position as the first track.
The piece following the first entry in list 3979 is 'Pisces.' By noting the differing sounds and themes between the two items from list 3979, the direction of departure becomes visible. The center of the first comparison is 'It was me,' and this method proves useful for completing even a short single in the order of its inclusion. After the playback of list 3979 is over, summarize the characteristics of the first 'It was me' in one sentence and choose the one piece with the largest contrast to listen to again. By dividing whether the differences found in 'It was me' came from the piece itself or arose from its first placement, your personal selection criteria will become clearer.
The first listening question to apply to the piece 'It was me' is 'How do the beginning, middle, and end share the same imagery and emotions?' When listening to the introduction of 'It was me' from list 3979, mark the first instrument that appears, and in the chorus, examine the density of voice and rhythm. In the section where the first track ends, determine whether it closes the emotion or leaves a next scene. Instead of settling on a single answer for 'It was me,' if you record one of the lingering sounds, lyrics, or visuals each, you will generate a basis for interpretation. Focusing more on the criteria of this list rather than the recognizability of the piece 'It was me' allows for a fresh listening experience of familiar music from a new position as the first track.
The piece following the first entry in list 3979 is 'Pisces.' By noting the differing sounds and themes between the two items from list 3979, the direction of departure becomes visible. The center of the first comparison is 'It was me,' and this method proves useful for completing even a short single in the order of its inclusion. After the playback of list 3979 is over, summarize the characteristics of the first 'It was me' in one sentence and choose the one piece with the largest contrast to listen to again. By dividing whether the differences found in 'It was me' came from the piece itself or arose from its first placement, your personal selection criteria will become clearer.
수록작 Pisces - Single
공개일 2022-05-24
아티스트 Yerin Baek
재생시간 201
Yerin Baek - Pisces
The second piece we encounter in 'The Story of Yerin Baek Deepening Like Water with Just Three Songs' is 'Pisces.' The theme at this second point among the three pieces also materializes the structure of the three songs in the single 'Fish.' The official track of 'Pisces' from list 3979 is from 'Pisces - Single,' released on 2022-05-24. This second track by artist Yerin Baek has a playtime of 227 seconds. By viewing the official information and actual playback together, the reason for its inclusion as the second becomes more apparent than the first impression from the title.
The second listening question to apply to the piece 'Pisces' is 'How do the beginning, middle, and end share the same imagery and emotions?' When listening to the introduction of 'Pisces' from list 3979, mark the first instrument that appears, and in the chorus, examine the density of voice and rhythm. In the section where the second track ends, determine whether it closes the emotion or leaves a next scene. Instead of settling on a single answer for 'Pisces,' if you record one of the lingering sounds, lyrics, or visuals each, you will generate a basis for interpretation. Focusing more on the criteria of this list rather than the recognizability of the piece 'Pisces' allows for a fresh listening experience of familiar music from a new position as the second track.
The previous piece from list 3979 is 'It was me,' and the next piece is 'The loved one.' Compare the speed, language, and spatial perceptions of the three items in list 3979, including the second. The focus of the second comparison is 'Pisces,' and this method proves useful for completing even a short single in the order of its inclusion. After the playback of list 3979 is over, summarize the characteristics of the second 'Pisces' in one sentence and choose the one piece with the largest contrast to listen to again. By dividing whether the differences found in 'Pisces' came from the piece itself or arose from its second placement, your personal selection criteria will become clearer.
The second listening question to apply to the piece 'Pisces' is 'How do the beginning, middle, and end share the same imagery and emotions?' When listening to the introduction of 'Pisces' from list 3979, mark the first instrument that appears, and in the chorus, examine the density of voice and rhythm. In the section where the second track ends, determine whether it closes the emotion or leaves a next scene. Instead of settling on a single answer for 'Pisces,' if you record one of the lingering sounds, lyrics, or visuals each, you will generate a basis for interpretation. Focusing more on the criteria of this list rather than the recognizability of the piece 'Pisces' allows for a fresh listening experience of familiar music from a new position as the second track.
The previous piece from list 3979 is 'It was me,' and the next piece is 'The loved one.' Compare the speed, language, and spatial perceptions of the three items in list 3979, including the second. The focus of the second comparison is 'Pisces,' and this method proves useful for completing even a short single in the order of its inclusion. After the playback of list 3979 is over, summarize the characteristics of the second 'Pisces' in one sentence and choose the one piece with the largest contrast to listen to again. By dividing whether the differences found in 'Pisces' came from the piece itself or arose from its second placement, your personal selection criteria will become clearer.
수록작 Pisces - Single
공개일 2022-05-24
아티스트 Yerin Baek
재생시간 227
Yerin Baek - The loved one
The third piece we encounter in 'The Story of Yerin Baek Deepening Like Water with Just Three Songs' is 'The loved one.' The theme at this third point among the three pieces also materializes the structure of the three songs in the single 'Fish.' The official track of 'The loved one' from list 3979 is from 'Pisces - Single,' released on 2022-05-24. This third track by artist Yerin Baek has a playtime of 234 seconds. By viewing the official information and actual playback together, the reason for its inclusion as the third becomes more apparent than the first impression from the title.
The third listening question to apply to the piece 'The loved one' is 'How do the beginning, middle, and end share the same imagery and emotions?' When listening to the introduction of 'The loved one' from list 3979, mark the first instrument that appears, and in the chorus, examine the density of voice and rhythm. In the section where the third track ends, determine whether it closes the emotion or leaves a next scene. Instead of settling on a single answer for 'The loved one,' if you record one of the lingering sounds, lyrics, or visuals each, you will generate a basis for interpretation. Focusing more on the criteria of this list rather than the recognizability of the piece 'The loved one' allows for a fresh listening experience of familiar music from a new position as the third track.
The piece before the last entry in list 3979 is 'Pisces.' By listening to the ends of the two pieces from list 3979 together, you can confirm the conclusion left by the list. The focus of the third comparison is 'The loved one,' and this method proves useful for completing even a short single in the order of its inclusion. After the playback of list 3979 is over, summarize the characteristics of the third 'The loved one' in one sentence and choose the one piece with the largest contrast to listen to again. By dividing whether the differences found in 'The loved one' came from the piece itself or arose from its third placement, your personal selection criteria will become clearer.
The third listening question to apply to the piece 'The loved one' is 'How do the beginning, middle, and end share the same imagery and emotions?' When listening to the introduction of 'The loved one' from list 3979, mark the first instrument that appears, and in the chorus, examine the density of voice and rhythm. In the section where the third track ends, determine whether it closes the emotion or leaves a next scene. Instead of settling on a single answer for 'The loved one,' if you record one of the lingering sounds, lyrics, or visuals each, you will generate a basis for interpretation. Focusing more on the criteria of this list rather than the recognizability of the piece 'The loved one' allows for a fresh listening experience of familiar music from a new position as the third track.
The piece before the last entry in list 3979 is 'Pisces.' By listening to the ends of the two pieces from list 3979 together, you can confirm the conclusion left by the list. The focus of the third comparison is 'The loved one,' and this method proves useful for completing even a short single in the order of its inclusion. After the playback of list 3979 is over, summarize the characteristics of the third 'The loved one' in one sentence and choose the one piece with the largest contrast to listen to again. By dividing whether the differences found in 'The loved one' came from the piece itself or arose from its third placement, your personal selection criteria will become clearer.
수록작 Pisces - Single
공개일 2022-05-24
아티스트 Yerin Baek
재생시간 234
Listening to the three tracks in sequence, 'Fish' remains a single with a clear beginning, middle, and end, as if it were a condensed long album. When we connect the reflection of the first song, the self-image in the middle, and the gaze of the last song towards another, the shape of the relationship becomes more tangible than when looking purely at the titles. Let’s choose the last sentence that lingers the longest.
For the second listen, it's preferable not to insert other music between the songs and to maintain the flow for about ten minutes. Compare just the first and last lines of the three songs, and note whether the speaker is talking about themselves or looking at others. If the short length feels unsatisfactory, you can loop back to the first song after it ends and check if the meaning of the start changes after knowing the conclusion.
For the second listen, it's preferable not to insert other music between the songs and to maintain the flow for about ten minutes. Compare just the first and last lines of the three songs, and note whether the speaker is talking about themselves or looking at others. If the short length feels unsatisfactory, you can loop back to the first song after it ends and check if the meaning of the start changes after knowing the conclusion.
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