Collection
Music
2026.09.06
A Musical Map of Yerin Baek: From the Blue Universe to a New Season
Twelve songs with changing colors from her first solo EP to 《Flash and Core》
If you only know a few songs by Yerin Baek, the blue sentiment of 'Crossing the Universe' and the youthful imagery of 'Square (2017)' might come to mind first. However, tracing her journey from her first solo EP through her works after joining an independent label, remakes, and to 2025's 《Flash and Core》, we find that the space and language where her voice resides have steadily evolved. This list connects those changes through twelve songs.
I have chosen tracks that not only follow the order of release but also clearly showcase new directions at each period. Let's listen and find out where Korean and English, band textures and electronic sounds, intimate monologues, and an expanded world intersect. Each entry has been linked to Apple Music's official sound sources, album images, and release dates, allowing you to experience the actual flow of releases.
I have chosen tracks that not only follow the order of release but also clearly showcase new directions at each period. Let's listen and find out where Korean and English, band textures and electronic sounds, intimate monologues, and an expanded world intersect. Each entry has been linked to Apple Music's official sound sources, album images, and release dates, allowing you to experience the actual flow of releases.
Yerin Baek - Across the universe
Yerin Baek - Across the Universe
The first piece we encounter in 《A Musical Map of Yerin Baek: From the Blue Universe to a New Season》 is 《Across the Universe》. The theme it materializes at this first point among the twelve is the evolution over time of her releases. The official track included in list 3968 is 《FRANK - EP》, released on 2015-11-30. The first song on this list is by artist Yerin Baek, confirmed to play for 247 seconds. Viewing both the official information and the actual playback content together becomes clearer regarding why it is included as the first track rather than just the initial impression taken from the title.
The first listening question to consider for the piece 《Across the Universe》 is 'When does the distance in language, arrangement, and vocal change at various points in her career?'. When listening to the introduction of 《Across the Universe》 from list 3968, note the first instrument that appears, and during the chorus, observe the density of the voice and rhythm. At the end of the first track in list 3968, distinguish whether it closes emotions or leaves space for the next scene. Instead of deciding on just one answer for the first 《Across the Universe》, jot down one sound, lyric, or visual that stuck in your ear, which creates a basis for interpretation.
Following the first item in list 3968 is the piece 《Bye bye my blue》. Documenting the differing sounds and themes between the two items reveals the starting direction. The focus of the first comparison lies in 《Across the Universe》, and this method is useful for identifying changes and continuity by cross-playing earlier and latest works. After finishing the playback of list 3968, summarize the characteristics of the first 《Across the Universe》 in one sentence, and choose one contrasting item to listen to again. Distinguishing whether the differences found in 《Across the Universe》 arise from the piece itself or from the order of placement sharpens personal criteria for selection.
The first listening question to consider for the piece 《Across the Universe》 is 'When does the distance in language, arrangement, and vocal change at various points in her career?'. When listening to the introduction of 《Across the Universe》 from list 3968, note the first instrument that appears, and during the chorus, observe the density of the voice and rhythm. At the end of the first track in list 3968, distinguish whether it closes emotions or leaves space for the next scene. Instead of deciding on just one answer for the first 《Across the Universe》, jot down one sound, lyric, or visual that stuck in your ear, which creates a basis for interpretation.
Following the first item in list 3968 is the piece 《Bye bye my blue》. Documenting the differing sounds and themes between the two items reveals the starting direction. The focus of the first comparison lies in 《Across the Universe》, and this method is useful for identifying changes and continuity by cross-playing earlier and latest works. After finishing the playback of list 3968, summarize the characteristics of the first 《Across the Universe》 in one sentence, and choose one contrasting item to listen to again. Distinguishing whether the differences found in 《Across the Universe》 arise from the piece itself or from the order of placement sharpens personal criteria for selection.
수록작 FRANK - EP
공개일 2015-11-30
아티스트 Yerin Baek
재생시간 247
Yerin Baek - Bye bye my blue
Yerin Baek - Bye Bye My Blue
The second piece we encounter in 《A Musical Map of Yerin Baek: From the Blue Universe to a New Season》 is 《Bye Bye My Blue》. This second item among the twelve also articulates the theme of change over time concerning releases. The official track included in list 3968 is 《Bye Bye My Blue - Single》, released on 2016-06-20. The second song in this list is by artist Yerin Baek, confirmed to play for 203 seconds. Reviewing both the official information and the actual playback content clarifies even further why it holds the second position rather than just forming a first impression from the title.
The second listening question for the piece 《Bye Bye My Blue》 is 'When does the distance in language, arrangement, and vocal change at various points in her career?'. While listening to the introduction of 《Bye Bye My Blue》 in list 3968, mark the first instrument that appears, and in the chorus, explore the density of the voice and rhythm. At the end of the second track in list 3968, determine if it closes emotions or leaves space for the next scene. Instead of aiming for one definitive answer for the second 《Bye Bye My Blue》, document one sound, lyric, or visual that lingered, which provides a basis for interpretation.
The previous track in list 3968 is 《Across the Universe》, and the next track is 《Maybe It’s Not Our Fault》. Compare the speed, language, and spatial feel side by side between these three items, including the second one. The center of the second comparison is 《Bye Bye My Blue》，and this method is helpful for finding changes and continuities by cross-playing her earlier and latest works. After completing the playback for list 3968, summarize the characteristics of the second 《Bye Bye My Blue》 in one sentence and choose one contrasting track to listen to again. Discerning whether the differences found in 《Bye Bye My Blue》 result from the piece itself or arise from the second placement clarifies personal selection criteria.
The second listening question for the piece 《Bye Bye My Blue》 is 'When does the distance in language, arrangement, and vocal change at various points in her career?'. While listening to the introduction of 《Bye Bye My Blue》 in list 3968, mark the first instrument that appears, and in the chorus, explore the density of the voice and rhythm. At the end of the second track in list 3968, determine if it closes emotions or leaves space for the next scene. Instead of aiming for one definitive answer for the second 《Bye Bye My Blue》, document one sound, lyric, or visual that lingered, which provides a basis for interpretation.
The previous track in list 3968 is 《Across the Universe》, and the next track is 《Maybe It’s Not Our Fault》. Compare the speed, language, and spatial feel side by side between these three items, including the second one. The center of the second comparison is 《Bye Bye My Blue》，and this method is helpful for finding changes and continuities by cross-playing her earlier and latest works. After completing the playback for list 3968, summarize the characteristics of the second 《Bye Bye My Blue》 in one sentence and choose one contrasting track to listen to again. Discerning whether the differences found in 《Bye Bye My Blue》 result from the piece itself or arise from the second placement clarifies personal selection criteria.
수록작 Bye bye my blue - Single
공개일 2016-06-20
아티스트 Yerin Baek
재생시간 203
Yerin Baek - Maybe It’s Not Our Fault
The third piece we encounter in 《A Musical Map of Yerin Baek: From the Blue Universe to a New Season》 is 《Maybe It’s Not Our Fault》. This third item among the twelve likewise clarifies the theme of evolution over time concerning releases. The official track included in list 3968 is 《Our Love is Great》, released on 2019-03-18. The third song in this list is by artist Yerin Baek, confirmed to play for 233 seconds.
The third listening question to apply for the piece 《Maybe It’s Not Our Fault》 is 'When does the distance in language, arrangement, and vocal change at various points in her career?'. In list 3968, when listening to the introduction of 《Maybe It’s Not Our Fault》，mark the first instrument that appears, and during the chorus, observe the density of the voice and rhythm. At the end of the third track in list 3968, distinguish if it closes emotions or leaves space for the next scene. Instead of settling on one answer for the third 《Maybe It’s Not Our Fault》, write down one sound, lyric, or visual that stayed with you, forming the basis for interpretation.
The previous track in list 3968 is 《Bye Bye My Blue》，and the next track is 《Square (2017)》. Compare the speed, language, and spatial feel side by side between these three items, including the third one. The center of the third comparison lies in 《Maybe It’s Not Our Fault》，and this approach is beneficial for identifying changes and continuity by cross-playing her earlier and latest works. After finishing the playback of list 3968, summarize the characteristics of the third 《Maybe It’s Not Our Fault》 in one sentence, and choose one contrasting track to listen to again. Distinguishing whether the differences identified in 《Maybe It’s Not Our Fault》 derive from the piece itself or from the third placement sharpens your personal selection criteria.
The third listening question to apply for the piece 《Maybe It’s Not Our Fault》 is 'When does the distance in language, arrangement, and vocal change at various points in her career?'. In list 3968, when listening to the introduction of 《Maybe It’s Not Our Fault》，mark the first instrument that appears, and during the chorus, observe the density of the voice and rhythm. At the end of the third track in list 3968, distinguish if it closes emotions or leaves space for the next scene. Instead of settling on one answer for the third 《Maybe It’s Not Our Fault》, write down one sound, lyric, or visual that stayed with you, forming the basis for interpretation.
The previous track in list 3968 is 《Bye Bye My Blue》，and the next track is 《Square (2017)》. Compare the speed, language, and spatial feel side by side between these three items, including the third one. The center of the third comparison lies in 《Maybe It’s Not Our Fault》，and this approach is beneficial for identifying changes and continuity by cross-playing her earlier and latest works. After finishing the playback of list 3968, summarize the characteristics of the third 《Maybe It’s Not Our Fault》 in one sentence, and choose one contrasting track to listen to again. Distinguishing whether the differences identified in 《Maybe It’s Not Our Fault》 derive from the piece itself or from the third placement sharpens your personal selection criteria.
수록작 Our Love is Great
공개일 2019-03-18
아티스트 Yerin Baek
재생시간 233
Yerin Baek - Square (2017)
The fourth piece we encounter in 《A Musical Map of Yerin Baek: From the Blue Universe to a New Season》 is 《Square (2017)》. This fourth item among the twelve also expresses the theme of evolution over time pertaining to releases. The official track included in list 3968 is 《Every Letter I Sent You.》，released on 2019-12-10. The fourth song in this list is by artist Yerin Baek, confirmed to play for 262 seconds.
The fourth listening question for the piece 《Square (2017)》 is 'When does the distance in language, arrangement, and vocal change at various points in her career?'. In list 3968, as you listen to the introduction of 《Square (2017)》，mark the first instrument that appears and explore the density of voice and rhythm during the chorus. At the end of the fourth track in list 3968, determine whether it closes emotions or leaves space for the next scene. Instead of deciding on a single answer for the fourth 《Square (2017)》，document one sound, lyric, or visual that resonated with you, which lays the foundation for interpretation.
The previous track in list 3968 is 《Maybe It’s Not Our Fault》，and the next track is 《0415》. Compare the speed, language, and spatial feel of the three items, including the fourth. The center of the fourth comparison is 《Square (2017)》，and this method is useful in discovering changes and continuities by cross-playing earlier and latest works. After completing the playback for list 3968, summarize the defining characteristic of the fourth 《Square (2017)》 in one sentence and choose one contrasting track to listen to again. Distinguishing whether the differences found in 《Square (2017)》 arise from the piece itself or from the fourth placement sharpens personal selection criteria.
The fourth listening question for the piece 《Square (2017)》 is 'When does the distance in language, arrangement, and vocal change at various points in her career?'. In list 3968, as you listen to the introduction of 《Square (2017)》，mark the first instrument that appears and explore the density of voice and rhythm during the chorus. At the end of the fourth track in list 3968, determine whether it closes emotions or leaves space for the next scene. Instead of deciding on a single answer for the fourth 《Square (2017)》，document one sound, lyric, or visual that resonated with you, which lays the foundation for interpretation.
The previous track in list 3968 is 《Maybe It’s Not Our Fault》，and the next track is 《0415》. Compare the speed, language, and spatial feel of the three items, including the fourth. The center of the fourth comparison is 《Square (2017)》，and this method is useful in discovering changes and continuities by cross-playing earlier and latest works. After completing the playback for list 3968, summarize the defining characteristic of the fourth 《Square (2017)》 in one sentence and choose one contrasting track to listen to again. Distinguishing whether the differences found in 《Square (2017)》 arise from the piece itself or from the fourth placement sharpens personal selection criteria.
수록작 Every letter I sent you.
공개일 2019-12-10
아티스트 Yerin Baek
재생시간 262
Yerin Baek - 0415
The fifth piece we encounter in 《A Musical Map of Yerin Baek: From the Blue Universe to a New Season》 is 《0415》. This fifth item among the twelve further discusses the theme of evolution over time concerning releases. The official track included in list 3968 is 《tellusboutyourself》，released on 2020-12-10. The fifth song in this list is by artist Yerin Baek, confirmed to play for 264 seconds.
The fifth listening question to apply for the piece 《0415》 is 'When does the distance in language, arrangement, and vocal change at various points in her career?'. In list 3968, when listening to the introduction of 《0415》，mark the first instrument that appears, and explore the density of the voice and rhythm during the chorus. At the end of the fifth track in list 3968, determine if it closes emotions or leaves space for the next scene. Instead of concentrating solely on the recognition of the piece 《0415》， focusing on the criteria of this list allows you to experience familiar music from a different position as the fifth track.
The previous track in list 3968 is 《Square (2017)》，and the next track is 《Antifreeze》. Compare the speed, language, and spatial feel of the three items, including the fifth. The center of the fifth comparison focuses on 《0415》，and this approach allows us to identify changes and continuity by cross-playing her earlier and latest works. After finishing the playback of list 3968, summarize the distinctive characteristic of the fifth 《0415》 in one sentence and choose one contrasting item to listen to again. Distinguishing whether the differences discovered in 《0415》 arise from the piece itself or from the fifth placement sharpens your personal selection criteria.
The fifth listening question to apply for the piece 《0415》 is 'When does the distance in language, arrangement, and vocal change at various points in her career?'. In list 3968, when listening to the introduction of 《0415》，mark the first instrument that appears, and explore the density of the voice and rhythm during the chorus. At the end of the fifth track in list 3968, determine if it closes emotions or leaves space for the next scene. Instead of concentrating solely on the recognition of the piece 《0415》， focusing on the criteria of this list allows you to experience familiar music from a different position as the fifth track.
The previous track in list 3968 is 《Square (2017)》，and the next track is 《Antifreeze》. Compare the speed, language, and spatial feel of the three items, including the fifth. The center of the fifth comparison focuses on 《0415》，and this approach allows us to identify changes and continuity by cross-playing her earlier and latest works. After finishing the playback of list 3968, summarize the distinctive characteristic of the fifth 《0415》 in one sentence and choose one contrasting item to listen to again. Distinguishing whether the differences discovered in 《0415》 arise from the piece itself or from the fifth placement sharpens your personal selection criteria.
수록작 tellusboutyourself
공개일 2020-12-10
아티스트 Yerin Baek
재생시간 264
Yerin Baek - Antifreeze
The sixth piece we encounter in 《A Musical Map of Yerin Baek: From the Blue Universe to a New Season》 is 《Antifreeze》. This sixth item among the twelve also discusses the theme of evolution over time regarding releases. The official track included in list 3968 is 《Love, Yerin - EP》，released on 2021-09-10. The sixth song in this list is by artist Yerin Baek, confirmed to play for 246 seconds.
The sixth listening question for the piece 《Antifreeze》 is 'When does the distance in language, arrangement, and vocal change at various points in her career?'. In list 3968, as you listen to the introduction of 《Antifreeze》，mark the first instrument that appears and explore the density of the voice and rhythm during the chorus. At the end of the sixth track in list 3968, discern whether it closes emotions or leaves space for the next scene. Instead of focusing on the recognition of the piece 《Antifreeze》， concentrating on the criteria of this list allows you to experience familiar music from a different perspective as the sixth track.
The previous track in list 3968 is 《0415》，and the next track is 《Pisces》. Compare the speed, language, and spatial feel of the three items, including the sixth. The center of the sixth comparison lies in 《Antifreeze》，and this method is useful for identifying changes and continuity by cross-playing her earlier and latest works. After finishing the playback of list 3968, summarize the defining characteristic of the sixth 《Antifreeze》 in one sentence and choose one contrasting item to listen to again. Determining whether the differences found in 《Antifreeze》 arise from the piece itself or from the sixth placement clarifies personal selection criteria.
The sixth listening question for the piece 《Antifreeze》 is 'When does the distance in language, arrangement, and vocal change at various points in her career?'. In list 3968, as you listen to the introduction of 《Antifreeze》，mark the first instrument that appears and explore the density of the voice and rhythm during the chorus. At the end of the sixth track in list 3968, discern whether it closes emotions or leaves space for the next scene. Instead of focusing on the recognition of the piece 《Antifreeze》， concentrating on the criteria of this list allows you to experience familiar music from a different perspective as the sixth track.
The previous track in list 3968 is 《0415》，and the next track is 《Pisces》. Compare the speed, language, and spatial feel of the three items, including the sixth. The center of the sixth comparison lies in 《Antifreeze》，and this method is useful for identifying changes and continuity by cross-playing her earlier and latest works. After finishing the playback of list 3968, summarize the defining characteristic of the sixth 《Antifreeze》 in one sentence and choose one contrasting item to listen to again. Determining whether the differences found in 《Antifreeze》 arise from the piece itself or from the sixth placement clarifies personal selection criteria.
수록작 Love, Yerin - EP
공개일 2021-09-10
아티스트 Yerin Baek
재생시간 246
Yerin Baek - Pisces
The seventh piece we encounter in 《A Musical Map of Yerin Baek: From the Blue Universe to a New Season》 is 《Pisces》. This seventh item among the twelve also articulates the theme of evolution over time concerning releases. The official track included in list 3968 is 《Pisces - Single》，released on 2022-05-24. The seventh song in this list is by artist Yerin Baek, confirmed to play for 227 seconds.
The seventh listening question to apply for the piece 《Pisces》 is 'When does the distance in language, arrangement, and vocal change at various points in her career?'. In list 3968, when listening to the introduction of 《Pisces》，mark the first instrument that appears and explore the density of the voice and rhythm during the chorus. At the end of the seventh track in list 3968, determine if it closes emotions or leaves space for the next scene. Instead of settling on one definitive answer for the seventh 《Pisces》，document one sound, lyric, or visual that resonated with you, which lays the foundation for interpretation.
The previous track in list 3968 is 《Antifreeze》，and the next track is 《Big World》. Compare the speed, language, and spatial feel of these three items, including the seventh. The center of the seventh comparison lies in 《Pisces》，and this method is beneficial for understanding changes and continuity by cross-playing her earlier and latest works. After finishing the playback of list 3968, summarize the distinctive characteristic of the seventh 《Pisces》 in one sentence and choose one contrasting track to listen to again. Discerning whether the differences found in 《Pisces》 arise from the piece itself or from the seventh placement sharpens personal selection criteria.
The seventh listening question to apply for the piece 《Pisces》 is 'When does the distance in language, arrangement, and vocal change at various points in her career?'. In list 3968, when listening to the introduction of 《Pisces》，mark the first instrument that appears and explore the density of the voice and rhythm during the chorus. At the end of the seventh track in list 3968, determine if it closes emotions or leaves space for the next scene. Instead of settling on one definitive answer for the seventh 《Pisces》，document one sound, lyric, or visual that resonated with you, which lays the foundation for interpretation.
The previous track in list 3968 is 《Antifreeze》，and the next track is 《Big World》. Compare the speed, language, and spatial feel of these three items, including the seventh. The center of the seventh comparison lies in 《Pisces》，and this method is beneficial for understanding changes and continuity by cross-playing her earlier and latest works. After finishing the playback of list 3968, summarize the distinctive characteristic of the seventh 《Pisces》 in one sentence and choose one contrasting track to listen to again. Discerning whether the differences found in 《Pisces》 arise from the piece itself or from the seventh placement sharpens personal selection criteria.
수록작 Pisces - Single
공개일 2022-05-24
아티스트 Yerin Baek
재생시간 227
Yerin Baek - Big world
The eighth work encountered in 'The Music Map of Yerin Baek: From the Blue Universe to the New Season' is 'Big world'. The theme that this piece specifies at the ninth point in the total of twelve is the change over time of releases. The official track for 'Big world' in list 3968 is from 'New Year - Single', released on 2023-01-01. This piece is confirmed as the eighth track by artist Yerin Baek, with a playback time of 234 seconds. In list 3968, when viewed alongside the official information and actual playback content, the reason for its inclusion as the eighth piece becomes clearer than the initial impression received from the title.
The eighth listening question to apply to 'Big world' is, 'At what point in the artist's career do the distance of language, arrangement, and vocals change?'. When listening to the introduction of 'Big world' in list 3968, note the first instrument that appears, and in the chorus, examine the density of the voice and rhythm. In the section where the eighth track of list 3968 concludes, distinguish whether it closes emotions or leaves a next scene. Rather than settling on a single answer in the eighth 'Big world', documenting one element each from the sounds, lyrics, or visuals that linger in your ears will provide a basis for interpretation. By focusing on the criteria of this list rather than the recognition of the work 'Big world', familiar music can also be heard from this different position as the eighth.
The preceding work in list 3968 is 'Pisces', and the next work is '1-4-3'. Compare the speed, language, and sense of space of these three pieces, including the eighth. The center of this eighth comparison is 'Big world', and this method is useful for finding changes and continuity by cross-playing early and latest works. After the playback of list 3968 ends, summarize the characteristics of the eighth 'Big world' in one sentence and choose one item with the biggest contrast to listen to next. By dividing the differences found in 'Big world' into whether they stem from the work itself or arise from the eighth placement, personal criteria for selection also become clearer.
The eighth listening question to apply to 'Big world' is, 'At what point in the artist's career do the distance of language, arrangement, and vocals change?'. When listening to the introduction of 'Big world' in list 3968, note the first instrument that appears, and in the chorus, examine the density of the voice and rhythm. In the section where the eighth track of list 3968 concludes, distinguish whether it closes emotions or leaves a next scene. Rather than settling on a single answer in the eighth 'Big world', documenting one element each from the sounds, lyrics, or visuals that linger in your ears will provide a basis for interpretation. By focusing on the criteria of this list rather than the recognition of the work 'Big world', familiar music can also be heard from this different position as the eighth.
The preceding work in list 3968 is 'Pisces', and the next work is '1-4-3'. Compare the speed, language, and sense of space of these three pieces, including the eighth. The center of this eighth comparison is 'Big world', and this method is useful for finding changes and continuity by cross-playing early and latest works. After the playback of list 3968 ends, summarize the characteristics of the eighth 'Big world' in one sentence and choose one item with the biggest contrast to listen to next. By dividing the differences found in 'Big world' into whether they stem from the work itself or arise from the eighth placement, personal criteria for selection also become clearer.
수록작 New Year - Single
공개일 2023-01-01
아티스트 Yerin Baek
재생시간 234
Yerin Baek - 1-4-3
The ninth work encountered in 'The Music Map of Yerin Baek: From the Blue Universe to the New Season' is '1-4-3'. The theme that this piece specifies at the ninth point in the total of twelve is the change over time of releases. The official track for '1-4-3' in list 3968 is from 'I MET PEEJAY - Single', released on 2025-05-07. This piece is confirmed as the ninth track by artist Yerin Baek, with a playback time of 208 seconds. In list 3968, when viewed alongside the official information and actual playback content, the reason for its inclusion as the ninth piece becomes clearer than the initial impression received from the title.
The ninth listening question to apply to '1-4-3' is, 'At what point in the artist's career do the distance of language, arrangement, and vocals change?'. When listening to the introduction of '1-4-3' in list 3968, note the first instrument that appears, and in the chorus, examine the density of the voice and rhythm. In the section where the ninth track of list 3968 concludes, distinguish whether it closes emotions or leaves a next scene. Rather than settling on a single answer in the ninth '1-4-3', documenting one element each from the sounds, lyrics, or visuals that linger in your ears will provide a basis for interpretation. By focusing on the criteria of this list rather than the recognition of the work '1-4-3', familiar music can also be heard from this different position as the ninth.
The preceding work in list 3968 is 'Big world', and the next work is 'Another season with you'. Compare the speed, language, and sense of space of these three pieces, including the ninth. The center of this ninth comparison is '1-4-3', and this method is useful for finding changes and continuity by cross-playing early and latest works. After the playback of list 3968 ends, summarize the characteristics of the ninth '1-4-3' in one sentence and choose one item with the biggest contrast to listen to next. By dividing the differences found in '1-4-3' into whether they stem from the work itself or arise from the ninth placement, personal criteria for selection also become clearer.
The ninth listening question to apply to '1-4-3' is, 'At what point in the artist's career do the distance of language, arrangement, and vocals change?'. When listening to the introduction of '1-4-3' in list 3968, note the first instrument that appears, and in the chorus, examine the density of the voice and rhythm. In the section where the ninth track of list 3968 concludes, distinguish whether it closes emotions or leaves a next scene. Rather than settling on a single answer in the ninth '1-4-3', documenting one element each from the sounds, lyrics, or visuals that linger in your ears will provide a basis for interpretation. By focusing on the criteria of this list rather than the recognition of the work '1-4-3', familiar music can also be heard from this different position as the ninth.
The preceding work in list 3968 is 'Big world', and the next work is 'Another season with you'. Compare the speed, language, and sense of space of these three pieces, including the ninth. The center of this ninth comparison is '1-4-3', and this method is useful for finding changes and continuity by cross-playing early and latest works. After the playback of list 3968 ends, summarize the characteristics of the ninth '1-4-3' in one sentence and choose one item with the biggest contrast to listen to next. By dividing the differences found in '1-4-3' into whether they stem from the work itself or arise from the ninth placement, personal criteria for selection also become clearer.
수록작 I MET PEEJAY - Single
공개일 2025-05-07
아티스트 Yerin Baek
재생시간 208
Yerin Baek - Another season with you
The tenth work encountered in 'The Music Map of Yerin Baek: From the Blue Universe to the New Season' is 'Another season with you'. The theme that this piece specifies at the tenth point in the total of twelve is the change over time of releases. The official track for 'Another season with you' in list 3968 is from 'Flash and Core', released on 2025-10-02. This piece is confirmed as the tenth track by artist Yerin Baek, with a playback time of 210 seconds.
The tenth listening question to apply to 'Another season with you' is, 'At what point in the artist's career do the distance of language, arrangement, and vocals change?'. When listening to the introduction of 'Another season with you' in list 3968, note the first instrument that appears, and in the chorus, examine the density of the voice and rhythm. In the section where the tenth track of list 3968 concludes, distinguish whether it closes emotions or leaves a next scene. Rather than settling on a single answer in the tenth 'Another season with you', documenting one element each from the sounds, lyrics, or visuals that linger in your ears will provide a basis for interpretation.
The preceding work in list 3968 is '1-4-3', and the next work is 'in the middle'. Compare the speed, language, and sense of space of these three pieces, including the tenth. The center of this tenth comparison is 'Another season with you', and this method is useful for finding changes and continuity by cross-playing early and latest works. After the playback of list 3968 ends, summarize the characteristics of the tenth 'Another season with you' in one sentence and choose one item with the biggest contrast to listen to next. By dividing the differences found in 'Another season with you' into whether they stem from the work itself or arise from the tenth placement, personal criteria for selection also become clearer.
The tenth listening question to apply to 'Another season with you' is, 'At what point in the artist's career do the distance of language, arrangement, and vocals change?'. When listening to the introduction of 'Another season with you' in list 3968, note the first instrument that appears, and in the chorus, examine the density of the voice and rhythm. In the section where the tenth track of list 3968 concludes, distinguish whether it closes emotions or leaves a next scene. Rather than settling on a single answer in the tenth 'Another season with you', documenting one element each from the sounds, lyrics, or visuals that linger in your ears will provide a basis for interpretation.
The preceding work in list 3968 is '1-4-3', and the next work is 'in the middle'. Compare the speed, language, and sense of space of these three pieces, including the tenth. The center of this tenth comparison is 'Another season with you', and this method is useful for finding changes and continuity by cross-playing early and latest works. After the playback of list 3968 ends, summarize the characteristics of the tenth 'Another season with you' in one sentence and choose one item with the biggest contrast to listen to next. By dividing the differences found in 'Another season with you' into whether they stem from the work itself or arise from the tenth placement, personal criteria for selection also become clearer.
수록작 Flash and Core
공개일 2025-10-02
아티스트 Yerin Baek
재생시간 210
Yerin Baek - in the middle
The eleventh work encountered in 'The Music Map of Yerin Baek: From the Blue Universe to the New Season' is 'in the middle'. The theme that this piece specifies at the eleventh point in the total of twelve is the change over time of releases. The official track for 'in the middle' in list 3968 is from 'Flash and Core', released on 2025-10-02. This piece is confirmed as the eleventh track by artist Yerin Baek, with a playback time of 201 seconds. In list 3968, when viewed alongside the official information and actual playback content, the reason for its inclusion as the eleventh piece becomes clearer than the initial impression received from the title.
The eleventh listening question to apply to 'in the middle' is, 'At what point in the artist's career do the distance of language, arrangement, and vocals change?'. When listening to the introduction of 'in the middle' in list 3968, note the first instrument that appears, and in the chorus, examine the density of the voice and rhythm. In the section where the eleventh track of list 3968 concludes, distinguish whether it closes emotions or leaves a next scene. Rather than settling on a single answer in the eleventh 'in the middle', documenting one element each from the sounds, lyrics, or visuals that linger in your ears will provide a basis for interpretation.
The preceding work in list 3968 is 'Another season with you', and the next work is 'Your Yerin (feat. Rejjie Snow)'. Compare the speed, language, and sense of space of these three pieces, including the eleventh. The center of this eleventh comparison is 'in the middle', and this method is useful for finding changes and continuity by cross-playing early and latest works. After the playback of list 3968 ends, summarize the characteristics of the eleventh 'in the middle' in one sentence and choose one item with the biggest contrast to listen to next. By dividing the differences found in 'in the middle' into whether they stem from the work itself or arise from the eleventh placement, personal criteria for selection also become clearer.
The eleventh listening question to apply to 'in the middle' is, 'At what point in the artist's career do the distance of language, arrangement, and vocals change?'. When listening to the introduction of 'in the middle' in list 3968, note the first instrument that appears, and in the chorus, examine the density of the voice and rhythm. In the section where the eleventh track of list 3968 concludes, distinguish whether it closes emotions or leaves a next scene. Rather than settling on a single answer in the eleventh 'in the middle', documenting one element each from the sounds, lyrics, or visuals that linger in your ears will provide a basis for interpretation.
The preceding work in list 3968 is 'Another season with you', and the next work is 'Your Yerin (feat. Rejjie Snow)'. Compare the speed, language, and sense of space of these three pieces, including the eleventh. The center of this eleventh comparison is 'in the middle', and this method is useful for finding changes and continuity by cross-playing early and latest works. After the playback of list 3968 ends, summarize the characteristics of the eleventh 'in the middle' in one sentence and choose one item with the biggest contrast to listen to next. By dividing the differences found in 'in the middle' into whether they stem from the work itself or arise from the eleventh placement, personal criteria for selection also become clearer.
수록작 Flash and Core
공개일 2025-10-02
아티스트 Yerin Baek
재생시간 201
Yerin Baek - Your Yerin (feat. Rejjie Snow)
The twelfth work encountered in 'The Music Map of Yerin Baek: From the Blue Universe to the New Season' is 'Your Yerin (feat. Rejjie Snow)'. The theme that this piece specifies at the twelfth point in the total of twelve is the change over time of releases. The official track for 'Your Yerin (feat. Rejjie Snow)' in list 3968 is from 'Flash and Core', released on 2025-10-02. This piece is confirmed as the twelfth track by artist Yerin Baek, with a playback time of 188 seconds.
The twelfth listening question to apply to 'Your Yerin (feat. Rejjie Snow)' is, 'At what point in the artist's career do the distance of language, arrangement, and vocals change?'. When listening to the introduction of 'Your Yerin (feat. Rejjie Snow)' in list 3968, note the first instrument that appears, and in the chorus, examine the density of the voice and rhythm. In the section where the twelfth track of list 3968 concludes, distinguish whether it closes emotions or leaves a next scene. Rather than settling on a single answer in the twelfth 'Your Yerin (feat. Rejjie Snow)', documenting one element each from the sounds, lyrics, or visuals that linger in your ears will provide a basis for interpretation.
The last preceding work in list 3968 is 'in the middle'. Listen to the ends of the two pieces in list 3968 and confirm the conclusions that the list leaves behind. The center of this twelfth comparison is 'Your Yerin (feat. Rejjie Snow)', and this method is useful for finding changes and continuity by cross-playing early and latest works. After the playback of list 3968 ends, summarize the characteristics of the twelfth 'Your Yerin (feat. Rejjie Snow)' in one sentence and choose one item with the biggest contrast to listen to next.
The twelfth listening question to apply to 'Your Yerin (feat. Rejjie Snow)' is, 'At what point in the artist's career do the distance of language, arrangement, and vocals change?'. When listening to the introduction of 'Your Yerin (feat. Rejjie Snow)' in list 3968, note the first instrument that appears, and in the chorus, examine the density of the voice and rhythm. In the section where the twelfth track of list 3968 concludes, distinguish whether it closes emotions or leaves a next scene. Rather than settling on a single answer in the twelfth 'Your Yerin (feat. Rejjie Snow)', documenting one element each from the sounds, lyrics, or visuals that linger in your ears will provide a basis for interpretation.
The last preceding work in list 3968 is 'in the middle'. Listen to the ends of the two pieces in list 3968 and confirm the conclusions that the list leaves behind. The center of this twelfth comparison is 'Your Yerin (feat. Rejjie Snow)', and this method is useful for finding changes and continuity by cross-playing early and latest works. After the playback of list 3968 ends, summarize the characteristics of the twelfth 'Your Yerin (feat. Rejjie Snow)' in one sentence and choose one item with the biggest contrast to listen to next.
수록작 Flash and Core
공개일 2025-10-02
아티스트 Yerin Baek
재생시간 188
As you pass through the twelve songs, Yerin Baek’s transformation sounds less like abandoning her familiar timbre, and more like an ongoing process of searching for new rooms to hold that sound. The bright and intimate confessions of her early works meet broader scenes in her English albums, and through remakes and singles, are redefined in the current sensibility within 《Flash and Core》. Let's pick the song that stands out as the biggest turning point.
In your second listening session, it’s great to compare the first and last tracks, along with 'Square (2017)' in between. Note how pronunciation, space, instrument density, and the distance the speaker approaches to the listener have changed. Even if you started with familiar tracks, one unfamiliar song could significantly change your introduction to Yerin Baek.
In your second listening session, it’s great to compare the first and last tracks, along with 'Square (2017)' in between. Note how pronunciation, space, instrument density, and the distance the speaker approaches to the listener have changed. Even if you started with familiar tracks, one unfamiliar song could significantly change your introduction to Yerin Baek.
한눈에 보기
12개
Yerin Baek - Across the universe
FRANK - EP · 2015-11-30 · Yerin Baek · 247
Yerin Baek - Bye bye my blue
Bye bye my blue - Single · 2016-06-20 · Yerin Baek · 203
Yerin Baek - Maybe It’s Not Our Fault
Our Love is Great · 2019-03-18 · Yerin Baek · 233
Yerin Baek - Square (2017)
Every letter I sent you. · 2019-12-10 · Yerin Baek · 262
Yerin Baek - 0415
tellusboutyourself · 2020-12-10 · Yerin Baek · 264
Yerin Baek - Antifreeze
Love, Yerin - EP · 2021-09-10 · Yerin Baek · 246
Yerin Baek - Pisces
Pisces - Single · 2022-05-24 · Yerin Baek · 227
Yerin Baek - Big world
New Year - Single · 2023-01-01 · Yerin Baek · 234
Yerin Baek - 1-4-3
I MET PEEJAY - Single · 2025-05-07 · Yerin Baek · 208
Yerin Baek - Another season with you
Flash and Core · 2025-10-02 · Yerin Baek · 210
Yerin Baek - in the middle
Flash and Core · 2025-10-02 · Yerin Baek · 201
Yerin Baek - Your Yerin (feat. Rejjie Snow)
Flash and Core · 2025-10-02 · Yerin Baek · 188
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