How The Little Mermaid and Psyche Entered LE SSERAFIM's Songs

To summarize ‘The Great Mermaid’ in one sentence, it pushes the attitude of rejecting the familiar ending of The Little Mermaid and choosing what one desires with electronic sounds; however, when listening to ‘How The Little Mermaid and Psyche Entered LE SSERAFIM's Songs’ for the first time, one should also consider the narratives that overturn familiar characters and endings to complete the reasoning for choice.

The listening order is simple: For the ‘The Great Mermaid’ section, listen with the lyrics screen off and just hear the sound first, then read the sentence again, revealing the difference between the first impression and re-listening. Next, apply the method of comparing the original choices with those in the song, connecting the actual sounds with the background of the next release: ‘The Great Mermaid’ is part of the ‘FEARLESS - EP’, which was released on 2022-05-02, and this information serves as coordinates to compare neighboring items in the 3695 list by era and structure.

By placing it alongside the neighboring items ‘Introduction to the List’ and ‘Sour Grapes’, one can easily discern whether ‘The Great Mermaid’ pushes the flow or cools it down; after comparison, adjust the method of comparing the original choices with the song's choices to fit your playback environment, deciding whether to keep this item or swap it for another track, which is the final reason for retaining the ‘The Great Mermaid’ entry in ‘How The Little Mermaid and Psyche Entered LE SSERAFIM's Songs.’

The second item on this list is ‘Sour Grapes,’ where minimalist accompaniment and delicate tones convey the hesitation before love begins, in a sweet and bittersweet metaphor; in this position within the list, the necessary role lies in the impressions created, seamlessly leading to a narrative that overturns familiar characters and endings found in myths and fairy tales.

In fact, with ‘Sour Grapes,’ if one hears the audio first and opens the visuals later, the priorities of rhythm and vocals change, and when applying the method of comparing the original choices with those in the song, it explains why this item is second: ‘Sour Grapes’ is part of the ‘FEARLESS - EP,’ which was also released on 2022-05-02. This information serves as coordinates to compare neighboring items in the 3695 list by era and structure.

If played immediately after ‘The Great Mermaid’ and right before ‘The Hydra’ without altering the order, one can discern where ‘Sour Grapes’ aligns in the roles of beginning, transition, or resolution; once the answer is found, listen again to the section where the narrative overturning familiar characters and endings was felt most, to confirm if its positioning in this list is appropriate. This is the final reason for retaining the 'Sour Grapes' entry in ‘How The Little Mermaid and Psyche Entered LE SSERAFIM's Songs.’

The best entry point to understanding this scene is a moment where the sounds and phrases of ‘The Hydra’ intersect, expanding the imagery of the Hydra that grows back even if cut off through multilingual narration and a repeating beat; therefore, the third case in ‘How The Little Mermaid and Psyche Entered LE SSERAFIM's Songs’ invites listeners to confirm the narrative overturning familiar characters and endings not through mere description, but through actual auditory experience.

The listening order is straightforward: For the ‘The Hydra’ entry, switching between earphones and speakers once each reveals the difference between the first impression and re-listening. Additionally, using the method of comparing the original choices with those in the song connects the actual sounds with the background of the next release: ‘The Hydra’ is part of the ‘ANTIFRAGILE - EP,’ released on 2022-10-17. This information serves as coordinates to compare neighboring items in the 3695 list by era and structure.

When heard between the preceding ‘Sour Grapes’ and the following ‘Eve, Psyche & The Bluebeard’s wife’, it becomes easy to decide whether ‘The Hydra’ pushes the flow or cools it down; after comparison, adapt the method of comparing the original choices with those in the song according to your playback environment to determine whether to keep this item or replace it with another track, which is the final reason for retaining the ‘The Hydra’ entry in ‘How The Little Mermaid and Psyche Entered LE SSERAFIM's Songs.’

Listening to ‘Eve, Psyche & The Bluebeard’s wife’ from the perspective of myth and fairy tale reveals the arrangement's role before considering whether it’s a representative track; the club-like rhythm and the phrases that repeat like spells connect the movement that transcends taboos with a strong performance, which specifically highlights the narrative that overturns familiar characters and endings in the fourth part of ‘How The Little Mermaid and Psyche Entered LE SSERAFIM's Songs.’

In reality, by alternately following the bass and high notes in ‘Eve, Psyche & The Bluebeard’s wife,’ one can notice the priorities of rhythm and vocals shift, and applying the method of comparing the original choices with those in the song explains why this entry ranks fourth: ‘Eve, Psyche & The Bluebeard’s wife’ is part of the ‘UNFORGIVEN’ album released on 2023-05-01, and this information provides coordinates for comparing neighboring items in the 3695 list by era and structure.

When comparing the flow from ‘The Hydra’ to ‘Swan Song,’ it becomes evident where ‘Eve, Psyche & The Bluebeard’s wife’ lies in the roles of beginning, transition, or resolution; once the answer is found, play back the section where the narrative overturning familiar characters and endings is best felt to confirm if its position in this list is appropriate. This is the final reason for retaining the ‘Eve, Psyche & The Bluebeard’s wife’ entry in ‘How The Little Mermaid and Psyche Entered LE SSERAFIM's Songs.’

The fifth track encountered in the flow of ‘How The Little Mermaid and Psyche Entered LE SSERAFIM's Songs’ is ‘Swan Song,’ which serves as a hinge that either connects or breaks off the preceding atmosphere; beneath a smooth R&B texture lies an invisible effort and wounds layered with the image of a swan. This very nature serves as a basis for reading the narrative that overturns familiar characters and endings in myths and fairy tales.

The listening order is straightforward: For ‘Swan Song,’ if one listens straight through without skipping to the next track, the difference between the first impression and re-listening becomes clear, and then by applying the method of comparing the original choices with those in the song, connections between actual sounds and the background of the next release are established: ‘Swan Song’ is part of the ‘EASY - EP,’ released on 2024-02-19, and this information provides coordinates for comparing neighboring items in the 3695 list by era and structure.

When placed alongside the neighboring items ‘Eve, Psyche & The Bluebeard’s wife’ and ‘Pierrot’, one can easily judge whether ‘Swan Song’ pushes the flow or cools it down; after comparison, adjust the method of comparing the original choices with those in the song to fit your playback environment, deciding whether to keep this item or replace it with another track. This is the final reason for retaining the ‘Swan Song’ entry in ‘How The Little Mermaid and Psyche Entered LE SSERAFIM's Songs.’

The necessary role of the ‘Pierrot’ entry at this point in the list is defined by the pace it chooses and the distance of the voice, playfully twisting the image of a clown Pierrot smiling to meet others' expectations along with Kim Wan-sun's song; it is placed sixth because there was a need for a practical example to identify the narrative that overturns familiar characters and endings within myths and fairy tales.

In practice, by marking the moment when vocals enter while clapping along to the rhythm in ‘Pierrot,’ the priorities of rhythm and vocals become clear. The methodology of comparing the original choices with those in the song will explain why this entry is sixth: ‘Pierrot’ is part of the ‘CRAZY - EP,’ which will be released on 2024-08-30, and this information provides coordinates for comparing neighboring items in the 3695 list by era and structure.

Without changing the order, when played after ‘Swan Song’ and right before ‘No Celestial’, it should reveal closer evaluations of ‘Pierrot’’s role in starting, transitioning, or resolving; once that answer is found, listen again to the section where the narrative that overturns familiar characters and endings was felt best to verify if its position in this list is appropriate. This is the final reason for retaining the ‘Pierrot’ entry in ‘How The Little Mermaid and Psyche Entered LE SSERAFIM's Songs.’

Setting aside popularity rankings for a moment and examining the opening scene of ‘No Celestial,’ the pop-punk guitar and rough shout create a moment of choosing an honest and human self rather than a perfect celestial image; in ‘How The Little Mermaid and Psyche Entered LE SSERAFIM's Songs,’ this seventh choice answers how the narrative overturning familiar characters and endings sounds.

The listening order is simple: For ‘No Celestial’, if you listen completely without skipping the introduction, the difference between the first impression and re-listening will become evident, and then applying the method of comparing the original choices with those in the song will link the actual sound with the background of the next release: ‘No Celestial’ is part of the ‘ANTIFRAGILE - EP,’ released on 2022-10-17, and this information serves as coordinates to compare neighboring items in the 3695 list by era and structure.

Positionally, hearing it between ‘Pierrot’ and ‘Ash’, it will be easy to determine if 'No Celestial' pushes the flow or refreshes it; after comparison, adapt the method of comparing the original choices with the song's choices according to your playback environment, deciding whether to keep this item or swap it for another track. This is the final reason for retaining the ‘No Celestial’ entry in ‘How The Little Mermaid and Psyche Entered LE SSERAFIM's Songs.’

When viewed through the lens of myth and fairy tale, ‘Ash’ presents dark electronic sounds and a solid rhythm that vividly captures emotions preparing for change amid what remains; the unique quality of this piece is revealed in its eighth position, contrasting the narrative that overturns familiar characters and endings against the preceding and following entries.

In reality, if one divides and checks the first line, the chorus, and the last 20 seconds in ‘Ash’, the priorities of rhythm and vocals will change, and applying the method of comparing original choices with those in the song will explain why this item is placed eighth: ‘Ash’ is part of the ‘HOT - EP,’ which will be released on 2025-03-14, and this information provides coordinates for comparing neighboring items in the 3695 list by era and structure.

By comparing the flow from ‘No Celestial’ to ‘Pureflow,’ one can figure out how ‘Ash’ aligns among beginning, transition, and resolution; once the answer is found, replay the section that best showcases the narrative overturning familiar characters and endings to confirm if its position in the list is appropriate. This is the final reason for retaining the ‘Ash’ entry in ‘How The Little Mermaid and Psyche Entered LE SSERAFIM's Songs.’

To summarize ‘Pureflow’ in one sentence, it opens a new era that one becomes strong not by being without fear but by acknowledging fear; however, when listening to this ninth entry in ‘How The Little Mermaid and Psyche Entered LE SSERAFIM's Songs’, one must also explore the narrative that overturns familiar characters and endings to complete the reasoning for its selection.

The listening order is uncomplicated: For the ‘Pureflow’ entry, comparing once at a low volume and then at a full volume reveals differences between first impressions and re-listening. Following this, applying the method of comparing original choices with those in the song will connect the actual sound with the background of the next release: ‘Pureflow’ is part of the ‘'PUREFLOW', Pt. 1’ which will be released on 2026-05-22, and this information serves as coordinates for comparing neighboring items in the 3695 list by era and structure.

In this list, placing it next to its neighbors ‘Ash’ and ‘Conclusion of the List’ makes it easy to judge whether ‘Pureflow’ pushes the flow or refreshes it; likewise, after comparison, adjusting the method of comparing the original choices with the song’s choices to match your playback environment should assist in determining whether to keep this item or replace it with another track. This is the final reason for retaining the ‘Pureflow’ entry in ‘How The Little Mermaid and Psyche Entered LE SSERAFIM's Songs.’