BABYMONSTER Songs Too Good to Hide Behind the Title Tracks

In terms of its role as a B-side, the track to check out here is ‘MONSTERS (Intro)’, released on 2024-03-31 and listed under the album/content title “BABYMONS7ER - EP.” Here is what defines ‘MONSTERS (Intro)’ in that role: an intro that sets the team’s identity and the mood for entering the album within a short running time.

The song to watch in this B-side collection is ‘MONSTERS (Intro).’ Listening to ‘MONSTERS (Intro)’, you can hear pacing and role-sharing that the title track couldn’t offer. Play “BABYMONS7ER - EP” in its original order and it becomes easy to see why ‘MONSTERS (Intro)’ needs to sit where it does between the tracks before and after it.

The recommended listening range for this B-side role is the first two entries: MONSTERS (Intro) → LIKE THAT. Comparing it with the album’s track order lets you judge whether ‘MONSTERS (Intro)’ picks up the pace or offers a breather. If you liked ‘MONSTERS (Intro),’ a useful next step is to look for other songs on the same album that play a similar role.

In terms of its role as a B-side, the track to check out here is ‘LIKE THAT’, released on 2024-03-31 and listed under the album/content title “BABYMONS7ER - EP.” Here is what defines ‘LIKE THAT’ in that role: a B-side that lets the English lyrics and the ease of the vocal tone breathe over a clean, simple rhythm.

The song to watch in this B-side collection is ‘LIKE THAT.’ Listening to ‘LIKE THAT’, you can hear pacing and role-sharing that the title track couldn’t offer. Play “BABYMONS7ER - EP” in its original order and it becomes easy to see why ‘LIKE THAT’ needs to sit where it does between the tracks before and after it.

The recommended listening range for this B-side role is three entries: MONSTERS (Intro) → LIKE THAT → Love, Maybe. Comparing it with the album’s track order lets you judge whether ‘LIKE THAT’ picks up the pace or offers a breather. If you liked ‘LIKE THAT,’ a useful next step is to look for other songs on the same album that play a similar role.

In terms of its role as a B-side, the track to check out here is ‘Love, Maybe’, released on 2024-11-01 and listed under the album/content title “DRIP.” Here is what defines ‘Love, Maybe’ in that role: it brings down the pace of the full-length album with understated vocals and soft accompaniment.

The song to watch in this B-side collection is ‘Love, Maybe.’ Listening to ‘Love, Maybe’, you can hear pacing and role-sharing that the title track couldn’t offer. Play “DRIP” in its original order and it becomes easy to see why ‘Love, Maybe’ needs to sit where it does between the tracks before and after it.

The recommended listening range for this B-side role is three entries: LIKE THAT → Love, Maybe → Really Like You. Comparing it with the album’s track order lets you judge whether ‘Love, Maybe’ picks up the pace or offers a breather. If you liked ‘Love, Maybe,’ a useful next step is to look for other songs on the same album that play a similar role.

In terms of its role as a B-side, the track to check out here is ‘Really Like You’, released on 2024-11-01 and listed under the album/content title “DRIP.” Here is what defines ‘Really Like You’ in that role: its friendly confession and smooth vocal hand-offs change the temperature between the title tracks.

The song to watch in this B-side collection is ‘Really Like You.’ Listening to ‘Really Like You’, you can hear pacing and role-sharing that the title track couldn’t offer. Play “DRIP” in its original order and it becomes easy to see why ‘Really Like You’ needs to sit where it does between the tracks before and after it.

The recommended listening range for this B-side role is three entries: Love, Maybe → Really Like You → BILLIONAIRE. Comparing it with the album’s track order lets you judge whether ‘Really Like You’ picks up the pace or offers a breather. If you liked ‘Really Like You,’ a useful next step is to look for other songs on the same album that play a similar role.

In terms of its role as a B-side, the track to check out here is ‘BILLIONAIRE’, released on 2024-11-01 and listed under the album/content title “DRIP.” Here is what defines ‘BILLIONAIRE’ in that role: it pairs a confident attitude with rhythm to show the balance between rap and vocals.

The song to watch in this B-side collection is ‘BILLIONAIRE.’ Listening to ‘BILLIONAIRE’, you can hear pacing and role-sharing that the title track couldn’t offer. Play “DRIP” in its original order and it becomes easy to see why ‘BILLIONAIRE’ needs to sit where it does between the tracks before and after it.

The recommended listening range for this B-side role is three entries: Really Like You → BILLIONAIRE → Woke Up In Tokyo (RUKA & ASA). Comparing it with the album’s track order lets you judge whether ‘BILLIONAIRE’ picks up the pace or offers a breather. If you liked ‘BILLIONAIRE,’ a useful next step is to look for other songs on the same album that play a similar role.

In this look at the role of B-sides, the track to check is ‘Woke Up In Tokyo (RUKA & ASA)’, released on 2024-11-01 and listed under 《DRIP》. Here are the details of ‘Woke Up In Tokyo (RUKA & ASA)’ for the look at the role of B-sides: a unit track centered on RUKA and ASA that pairs rapid-fire rap with city imagery.

The track to note in this B-side collection is ‘Woke Up In Tokyo (RUKA & ASA)’. Listening to ‘Woke Up In Tokyo (RUKA & ASA)’, you can hear the pacing and division of roles that the title track couldn't deliver. Play 《DRIP》 in its original order, and it's easy to see why ‘Woke Up In Tokyo (RUKA & ASA)’ needs this spot between the tracks before and after it.

The recommended listening range for the role of B-sides is the three entries ‘BILLIONAIRE’ → ‘Woke Up In Tokyo (RUKA & ASA)’ → ‘Love In My Heart’. Comparing it with the album's track order, you can judge whether ‘Woke Up In Tokyo (RUKA & ASA)’ picks up the pace or takes a breather. If you liked ‘Woke Up In Tokyo (RUKA & ASA)’, it's worth looking for more tracks on the same album that play a similar role.

In terms of its role as a B-side, the track to check out here is ‘Love In My Heart’, released on 2024-11-01 and listed under the album/content title “DRIP.” Here is what defines ‘Love In My Heart’ in that role: its warm band feel and open chorus help bring the full-length album to a bright close.

The song to watch in this B-side collection is ‘Love In My Heart.’ Listening to ‘Love In My Heart’, you can hear pacing and role-sharing that the title track couldn’t offer. Play “DRIP” in its original order and it becomes easy to see why ‘Love In My Heart’ needs to sit where it does between the tracks before and after it.

The recommended listening range for this B-side role is three entries: Woke Up In Tokyo (RUKA & ASA) → Love In My Heart → BATTER UP (Remix) - Bonus Track. Comparing it with the album’s track order lets you judge whether ‘Love In My Heart’ picks up the pace or offers a breather. If you liked ‘Love In My Heart,’ a useful next step is to look for other songs on the same album that play a similar role.

In this look at the role of B-sides, the track to check is ‘BATTER UP (Remix) - Bonus Track’, released on 2024-11-01 and listed under 《DRIP》. Here are the details of ‘BATTER UP (Remix) - Bonus Track’ for the look at the role of B-sides: a bonus track that redesigns the debut song's familiar hook with a different tempo and texture.

The track to note in this B-side collection is ‘BATTER UP (Remix) - Bonus Track’. Listening to ‘BATTER UP (Remix) - Bonus Track’, you can hear the pacing and division of roles that the title track couldn't deliver. Play 《DRIP》 in its original order, and it's easy to see why ‘BATTER UP (Remix) - Bonus Track’ needs this spot between the tracks before and after it.

The recommended listening range for the role of B-sides is the three entries ‘Love In My Heart’ → ‘BATTER UP (Remix) - Bonus Track’ → ‘WILD’. Comparing it with the album's track order, you can judge whether ‘BATTER UP (Remix) - Bonus Track’ picks up the pace or takes a breather. If you liked ‘BATTER UP (Remix) - Bonus Track’, it's worth looking for more tracks on the same album that play a similar role.

In terms of its role as a B-side, the track to check out here is ‘WILD’, released on 2025-10-10 and listed under the album/content title “WE GO UP - EP.” Here is what defines ‘WILD’ in that role: its rough texture and confident attitude widen the EP’s performance range.

The song to watch in this B-side collection is ‘WILD.’ Listening to ‘WILD’, you can hear pacing and role-sharing that the title track couldn’t offer. Play “WE GO UP - EP” in its original order and it becomes easy to see why ‘WILD’ needs to sit where it does between the tracks before and after it.

The recommended listening range for this B-side role is three entries: BATTER UP (Remix) - Bonus Track → WILD → LOCKED IN. Comparing it with the album’s track order lets you judge whether ‘WILD’ picks up the pace or offers a breather. If you liked ‘WILD,’ a useful next step is to look for other songs on the same album that play a similar role.

In terms of its role as a B-side, the track to check out here is ‘LOCKED IN’, released on 2026-05-04 and listed under the album/content title “CHOOM - EP.” Here is what defines ‘LOCKED IN’ in that role: it expresses focus and immersion through a solid rhythm, reinforcing the texture of the EP.

The song to watch in this B-side collection is ‘LOCKED IN.’ Listening to ‘LOCKED IN’, you can hear pacing and role-sharing that the title track couldn’t offer. Play “CHOOM - EP” in its original order and it becomes easy to see why ‘LOCKED IN’ needs to sit where it does between the tracks before and after it.

The recommended listening range for this B-side role is the last two entries: WILD → LOCKED IN. Comparing it with the album’s track order lets you judge whether ‘LOCKED IN’ picks up the pace or offers a breather. If you liked ‘LOCKED IN,’ a useful next step is to look for other songs on the same album that play a similar role.