Collection
K-Pop
2026.09.15
The Opening of the Chorus and the Last Note: The Decisive Moments of BABYMONSTER
A collection of songs that showcase the rise of the first chorus and the lingering aftertaste of the ending
The sections that make a song memorable are usually the choruses, but saying a chorus is strong isn't enough. The ways energy is released can vary, from repetitive short phrases, rising vocals, and moments where the rhythm expands, leaving different aftertastes by pushing through or easing off in the end. This difference becomes especially clear when listening to BABYMONSTER's title track and follow-up tracks together.
Here, we’ve selected songs to listen to, starting from 10 seconds before the first chorus up to the end of that chorus and then the last 20 seconds. Instead of just seeking out loud sounds or high notes, it's essential to observe where the tension built in the earlier parts is released and whether the last section repeats the first chorus or adds new elements. Even familiar songs reveal new arrangements when connecting just these two sections.
Here, we’ve selected songs to listen to, starting from 10 seconds before the first chorus up to the end of that chorus and then the last 20 seconds. Instead of just seeking out loud sounds or high notes, it's essential to observe where the tension built in the earlier parts is released and whether the last section repeats the first chorus or adds new elements. Even familiar songs reveal new arrangements when connecting just these two sections.
BABYMONSTER - BATTER UP
The aspect to focus on in the analysis of the chorus and ending is the role of 'BATTER UP,' released on 2023-11-26, with the album/content label as 《BATTER UP - Single》. The specific characteristics of 'BATTER UP' in this context include its strong beat and chant-like chorus, making it the debut single that first impressed listeners with the team name.
In the chorus and ending analysis, 'BATTER UP' features a chant hook that engraves the team's name and debut confidence. When directly transitioning from just before the first chorus to the last 20 seconds, it becomes clear whether the song closes in repetition or creates a new sound for its conclusion.
Recommended play range for the chorus and ending analysis is the first two tracks: 'BATTER UP' → 'SHEESH.' By isolating just the first chorus and ending, we can identify whether 'BATTER UP' maintains energy or shifts direction. Let's clarify the reason for remembering 'BATTER UP's' chorus as one of the following: repetitive phrases, rising vocals, or rhythmic changes.
In the chorus and ending analysis, 'BATTER UP' features a chant hook that engraves the team's name and debut confidence. When directly transitioning from just before the first chorus to the last 20 seconds, it becomes clear whether the song closes in repetition or creates a new sound for its conclusion.
Recommended play range for the chorus and ending analysis is the first two tracks: 'BATTER UP' → 'SHEESH.' By isolating just the first chorus and ending, we can identify whether 'BATTER UP' maintains energy or shifts direction. Let's clarify the reason for remembering 'BATTER UP's' chorus as one of the following: repetitive phrases, rising vocals, or rhythmic changes.
공개일 2023-11-26
앨범·콘텐츠 BATTER UP - Single
아티스트 BABYMONSTER
형식 song
감상 포인트 강한 비트와 구호형 후렴으로 팀 이름을 처음 각인한 데뷔 싱글이다
BABYMONSTER - SHEESH
The aspect to focus on in the analysis of the chorus and ending is the role of 'SHEESH,' released on 2024-03-31, with the album/content label as 《BABYMONS7ER - EP》. The specific characteristics of 'SHEESH' in this context signal the start of the seven-member system while intersecting rap, vocals, and group choreography within a single track.
In the chorus and ending analysis, 'SHEESH' is dominated by repetitive keywords and growing group energy. When directly transitioning from just before the first chorus to the last 20 seconds, it becomes evident whether it closes in repetition or creates a new sound for its conclusion.
Recommended play range for the chorus and ending analysis is the three tracks: 'BATTER UP' → 'SHEESH' → 'FOREVER.' By isolating just the first chorus and ending, we can see if 'SHEESH' maintains energy or shifts direction. Let’s clarify the reason for remembering 'SHEESH's' chorus as one of the following: repetitive phrases, rising vocals, or rhythmic changes.
In the chorus and ending analysis, 'SHEESH' is dominated by repetitive keywords and growing group energy. When directly transitioning from just before the first chorus to the last 20 seconds, it becomes evident whether it closes in repetition or creates a new sound for its conclusion.
Recommended play range for the chorus and ending analysis is the three tracks: 'BATTER UP' → 'SHEESH' → 'FOREVER.' By isolating just the first chorus and ending, we can see if 'SHEESH' maintains energy or shifts direction. Let’s clarify the reason for remembering 'SHEESH's' chorus as one of the following: repetitive phrases, rising vocals, or rhythmic changes.
공개일 2024-03-31
앨범·콘텐츠 BABYMONS7ER - EP
아티스트 BABYMONSTER
형식 song
감상 포인트 일곱 멤버 체제의 시작을 알리며 랩, 보컬과 군무를 한 곡 안에서 교차시킨다
BABYMONSTER - FOREVER
The aspect to focus on in the analysis of the chorus and ending is the role of 'FOREVER,' released on 2024-07-01, with the album/content label as 《DRIP》. The specific characteristics of 'FOREVER' in this context combine bright summer energy with a fast tempo and free performances.
In the chorus and ending analysis, 'FOREVER's' bright summer atmosphere and quick tempo expand in the chorus. When directly transitioning from just before the first chorus to the last 20 seconds, it is possible to distinguish whether it closes in repetition or creates a new sound for its conclusion.
Recommended play range for the chorus and ending analysis is the three tracks: 'SHEESH' → 'FOREVER' → 'DRIP.' By isolating just the first chorus and ending, we can see if 'FOREVER' maintains energy or shifts direction. Let’s clarify the reason for remembering 'FOREVER's' chorus as one of the following: repetitive phrases, rising vocals, or rhythmic changes.
In the chorus and ending analysis, 'FOREVER's' bright summer atmosphere and quick tempo expand in the chorus. When directly transitioning from just before the first chorus to the last 20 seconds, it is possible to distinguish whether it closes in repetition or creates a new sound for its conclusion.
Recommended play range for the chorus and ending analysis is the three tracks: 'SHEESH' → 'FOREVER' → 'DRIP.' By isolating just the first chorus and ending, we can see if 'FOREVER' maintains energy or shifts direction. Let’s clarify the reason for remembering 'FOREVER's' chorus as one of the following: repetitive phrases, rising vocals, or rhythmic changes.
공개일 2024-07-01
앨범·콘텐츠 DRIP
아티스트 BABYMONSTER
형식 song
감상 포인트 여름의 밝은 에너지와 빠른 전개, 자유로운 퍼포먼스를 결합한 싱글이다
BABYMONSTER - DRIP
The aspect to focus on in the analysis of the chorus and ending is the role of 'DRIP,' released on 2024-11-01, with the album/content label as 《DRIP》. The specific characteristics of 'DRIP' in this context include a powerful chorus, high notes, and a rap section that gradually increases, making it the title track of their regular album.
In the chorus and ending analysis, 'DRIP' creates a rise with a powerful chorus placed after high notes and rap. When directly transitioning from just before the first chorus to the last 20 seconds, it becomes clear whether it closes in repetition or creates a new sound for its conclusion.
Recommended play range for the chorus and ending analysis is the three tracks: 'FOREVER' → 'DRIP' → 'Love In My Heart.' By isolating just the first chorus and ending, we can see if 'DRIP' maintains energy or shifts direction. Let’s clarify the reason for remembering 'DRIP's' chorus as one of the following: repetitive phrases, rising vocals, or rhythmic changes.
In the chorus and ending analysis, 'DRIP' creates a rise with a powerful chorus placed after high notes and rap. When directly transitioning from just before the first chorus to the last 20 seconds, it becomes clear whether it closes in repetition or creates a new sound for its conclusion.
Recommended play range for the chorus and ending analysis is the three tracks: 'FOREVER' → 'DRIP' → 'Love In My Heart.' By isolating just the first chorus and ending, we can see if 'DRIP' maintains energy or shifts direction. Let’s clarify the reason for remembering 'DRIP's' chorus as one of the following: repetitive phrases, rising vocals, or rhythmic changes.
공개일 2024-11-01
앨범·콘텐츠 DRIP
아티스트 BABYMONSTER
형식 song
감상 포인트 힘 있는 후렴과 고음, 랩 구간이 단계적으로 상승하는 정규앨범 타이틀곡이다
BABYMONSTER - Love In My Heart
The aspect to focus on in the analysis of the chorus and ending is the role of 'Love In My Heart,' released on 2024-11-01, with the album/content label as 《DRIP》. The specific characteristics of 'Love In My Heart' in this context helps to brightly conclude the regular album with a warm band feel and an open chorus.
In the chorus and ending analysis, 'Love In My Heart' enhances the warmth of the chorus with an open melody and band vibe. When directly transitioning from just before the first chorus to the last 20 seconds, it becomes clear whether it closes in repetition or creates a new sound for its conclusion.
Recommended play range for the chorus and ending analysis is the three tracks: 'DRIP' → 'Love In My Heart' → 'HOT SAUCE.' By isolating just the first chorus and ending, we can see if 'Love In My Heart' maintains energy or shifts direction. Let’s clarify the reason for remembering 'Love In My Heart's' chorus as one of the following: repetitive phrases, rising vocals, or rhythmic changes.
In the chorus and ending analysis, 'Love In My Heart' enhances the warmth of the chorus with an open melody and band vibe. When directly transitioning from just before the first chorus to the last 20 seconds, it becomes clear whether it closes in repetition or creates a new sound for its conclusion.
Recommended play range for the chorus and ending analysis is the three tracks: 'DRIP' → 'Love In My Heart' → 'HOT SAUCE.' By isolating just the first chorus and ending, we can see if 'Love In My Heart' maintains energy or shifts direction. Let’s clarify the reason for remembering 'Love In My Heart's' chorus as one of the following: repetitive phrases, rising vocals, or rhythmic changes.
공개일 2024-11-01
앨범·콘텐츠 DRIP
아티스트 BABYMONSTER
형식 song
감상 포인트 따뜻한 밴드 감성과 열린 후렴으로 정규앨범의 밝은 마무리를 돕는다
BABYMONSTER - HOT SAUCE
The aspect to focus on in the analysis of the chorus and ending is the role of 'HOT SAUCE,' released on 2025-07-01, with the album/content label as 《HOT SAUCE - Single》. The specific characteristics of 'HOT SAUCE' in this context use retro summer colors and repetitive hooks to lightly increase the tempo.
In the chorus and ending analysis, 'HOT SAUCE' features short and repetitive hooks that leave a lasting lightness to the song. When directly transitioning from just before the first chorus to the last 20 seconds, it becomes clear whether it closes in repetition or creates a new sound for its conclusion.
Recommended play range for the chorus and ending analysis is the three tracks: 'Love In My Heart' → 'HOT SAUCE' → 'WE GO UP.' By isolating just the first chorus and ending, we can see if 'HOT SAUCE' maintains energy or shifts direction. Let’s clarify the reason for remembering 'HOT SAUCE's' chorus as one of the following: repetitive phrases, rising vocals, or rhythmic changes.
In the chorus and ending analysis, 'HOT SAUCE' features short and repetitive hooks that leave a lasting lightness to the song. When directly transitioning from just before the first chorus to the last 20 seconds, it becomes clear whether it closes in repetition or creates a new sound for its conclusion.
Recommended play range for the chorus and ending analysis is the three tracks: 'Love In My Heart' → 'HOT SAUCE' → 'WE GO UP.' By isolating just the first chorus and ending, we can see if 'HOT SAUCE' maintains energy or shifts direction. Let’s clarify the reason for remembering 'HOT SAUCE's' chorus as one of the following: repetitive phrases, rising vocals, or rhythmic changes.
공개일 2025-07-01
앨범·콘텐츠 HOT SAUCE - Single
아티스트 BABYMONSTER
형식 song
감상 포인트 복고적인 여름 색감과 반복적인 훅을 이용해 가볍게 속도를 올리는 싱글이다
BABYMONSTER - WE GO UP
The aspect to focus on in the analysis of the chorus and ending is the role of 'WE GO UP,' released on 2025-10-10, with the album/content label as 《WE GO UP - EP》. The specific characteristics of 'WE GO UP' in this context signal the start of the next activity phase with a title and performance that conveys a sense of ascent.
In the chorus and ending analysis, 'WE GO UP' gathers rising phrases and performance rhythms in one place. When directly transitioning from just before the first chorus to the last 20 seconds, it becomes possible to distinguish whether it closes in repetition or creates a new sound for its conclusion.
Recommended play range for the chorus and ending analysis is the three tracks: 'HOT SAUCE' → 'WE GO UP' → 'PSYCHO.' By isolating just the first chorus and ending, we can see if 'WE GO UP' maintains energy or shifts direction. Let’s clarify the reason for remembering 'WE GO UP's' chorus as one of the following: repetitive phrases, rising vocals, or rhythmic changes.
In the chorus and ending analysis, 'WE GO UP' gathers rising phrases and performance rhythms in one place. When directly transitioning from just before the first chorus to the last 20 seconds, it becomes possible to distinguish whether it closes in repetition or creates a new sound for its conclusion.
Recommended play range for the chorus and ending analysis is the three tracks: 'HOT SAUCE' → 'WE GO UP' → 'PSYCHO.' By isolating just the first chorus and ending, we can see if 'WE GO UP' maintains energy or shifts direction. Let’s clarify the reason for remembering 'WE GO UP's' chorus as one of the following: repetitive phrases, rising vocals, or rhythmic changes.
공개일 2025-10-10
앨범·콘텐츠 WE GO UP - EP
아티스트 BABYMONSTER
형식 song
감상 포인트 상승감을 주는 제목과 퍼포먼스 중심 전개로 다음 활동기의 출발을 알린다
BABYMONSTER - PSYCHO
The aspect to focus on in the analysis of the chorus and ending is the role of 'PSYCHO,' released on 2025-10-10, with the album/content label as 《WE GO UP - EP》. The specific characteristics of 'PSYCHO' in this context use a tense title and dark tone to create contrast within the EP.
In the chorus and ending analysis, 'PSYCHO' maintains its tension with a dark atmosphere and repetitive hooks. When directly transitioning from just before the first chorus to the last 20 seconds, it becomes clear whether it closes in repetition or creates a new sound for its conclusion.
Recommended play range for the chorus and ending analysis is the three tracks: 'WE GO UP' → 'PSYCHO' → 'SUPA DUPA LUV.' By isolating just the first chorus and ending, we can see if 'PSYCHO' maintains energy or shifts direction. Let’s clarify the reason for remembering 'PSYCHO's' chorus as one of the following: repetitive phrases, rising vocals, or rhythmic changes.
In the chorus and ending analysis, 'PSYCHO' maintains its tension with a dark atmosphere and repetitive hooks. When directly transitioning from just before the first chorus to the last 20 seconds, it becomes clear whether it closes in repetition or creates a new sound for its conclusion.
Recommended play range for the chorus and ending analysis is the three tracks: 'WE GO UP' → 'PSYCHO' → 'SUPA DUPA LUV.' By isolating just the first chorus and ending, we can see if 'PSYCHO' maintains energy or shifts direction. Let’s clarify the reason for remembering 'PSYCHO's' chorus as one of the following: repetitive phrases, rising vocals, or rhythmic changes.
공개일 2025-10-10
앨범·콘텐츠 WE GO UP - EP
아티스트 BABYMONSTER
형식 song
감상 포인트 긴장감 있는 제목과 어두운 음색을 활용해 EP 안의 대비를 만든다
BABYMONSTER - SUPA DUPA LUV
The aspect to focus on in the analysis of the chorus and ending is the role of 'SUPA DUPA LUV,' released on 2025-10-10, with the album/content label as 《WE GO UP - EP》. The specific characteristics of 'SUPA DUPA LUV' in this context rhythmically expresses the energy of love with a bright and direct title.
In the chorus and ending analysis, 'SUPA DUPA LUV' opens with a rhythmic chorus characterized by bright and direct expressions. When directly transitioning from just before the first chorus to the last 20 seconds, it becomes clear whether it closes in repetition or creates a new sound for its conclusion.
Recommended play range for the chorus and ending analysis is the three tracks: 'PSYCHO' → 'SUPA DUPA LUV' → '춤 (CHOOM).' By isolating just the first chorus and ending, we can see if 'SUPA DUPA LUV' maintains energy or shifts direction. Let’s clarify the reason for remembering 'SUPA DUPA LUV's' chorus as one of the following: repetitive phrases, rising vocals, or rhythmic changes.
In the chorus and ending analysis, 'SUPA DUPA LUV' opens with a rhythmic chorus characterized by bright and direct expressions. When directly transitioning from just before the first chorus to the last 20 seconds, it becomes clear whether it closes in repetition or creates a new sound for its conclusion.
Recommended play range for the chorus and ending analysis is the three tracks: 'PSYCHO' → 'SUPA DUPA LUV' → '춤 (CHOOM).' By isolating just the first chorus and ending, we can see if 'SUPA DUPA LUV' maintains energy or shifts direction. Let’s clarify the reason for remembering 'SUPA DUPA LUV's' chorus as one of the following: repetitive phrases, rising vocals, or rhythmic changes.
공개일 2025-10-10
앨범·콘텐츠 WE GO UP - EP
아티스트 BABYMONSTER
형식 song
감상 포인트 밝고 직접적인 제목처럼 사랑의 에너지를 리드미컬하게 풀어낸다
BABYMONSTER - 춤 (CHOOM)
The aspect to focus on in the analysis of the chorus and ending is the role of '춤 (CHOOM),' released on 2026-05-04, with the album/content label as 《춤 (CHOOM) - EP》. The specific characteristics of '춤 (CHOOM)' in this context is the central song of the 2026 EP, emphasizing the Korean title and the movement of the body.
In the chorus and ending analysis, '춤 (CHOOM)' combines phrases that call for movement with group energy in the chorus. When directly transitioning from just before the first chorus to the last 20 seconds, it becomes clear whether it closes in repetition or creates a new sound for its conclusion.
Recommended play range for the chorus and ending analysis is the three tracks: 'SUPA DUPA LUV' → '춤 (CHOOM)' → 'SUGAR HONEY ICE TEA.' By isolating just the first chorus and ending, we can see if '춤 (CHOOM)' maintains energy or shifts direction. Let’s clarify the reason for remembering '춤 (CHOOM's' chorus as one of the following: repetitive phrases, rising vocals, or rhythmic changes.
In the chorus and ending analysis, '춤 (CHOOM)' combines phrases that call for movement with group energy in the chorus. When directly transitioning from just before the first chorus to the last 20 seconds, it becomes clear whether it closes in repetition or creates a new sound for its conclusion.
Recommended play range for the chorus and ending analysis is the three tracks: 'SUPA DUPA LUV' → '춤 (CHOOM)' → 'SUGAR HONEY ICE TEA.' By isolating just the first chorus and ending, we can see if '춤 (CHOOM)' maintains energy or shifts direction. Let’s clarify the reason for remembering '춤 (CHOOM's' chorus as one of the following: repetitive phrases, rising vocals, or rhythmic changes.
공개일 2026-05-04
앨범·콘텐츠 춤 (CHOOM) - EP
아티스트 BABYMONSTER
형식 song
감상 포인트 한국어 제목과 몸의 움직임을 전면에 둔 2026년 EP의 중심곡이다
BABYMONSTER - SUGAR HONEY ICE TEA
The aspect to focus on in the analysis of the chorus and ending is the role of 'SUGAR HONEY ICE TEA,' released on 2026-06-07, with the album/content label as 《SUGAR HONEY ICE TEA - Single》. The specific characteristics of 'SUGAR HONEY ICE TEA' in this context highlight a cheerful rhythm paired with a combination of sweet words, making it a 2026 single.
In the chorus and ending analysis, 'SUGAR HONEY ICE TEA's' arrangement of sweet words functions as a playful repetitive hook. When directly transitioning from just before the first chorus to the last 20 seconds, it becomes clear whether it closes in repetition or creates a new sound for its conclusion.
Recommended play range for the chorus and ending analysis is the three tracks: '춤 (CHOOM)' → 'SUGAR HONEY ICE TEA' → 'I LIKE IT.' By isolating just the first chorus and ending, we can see if 'SUGAR HONEY ICE TEA' maintains energy or shifts direction. Let’s clarify the reason for remembering 'SUGAR HONEY ICE TEA's' chorus as one of the following: repetitive phrases, rising vocals, or rhythmic changes.
In the chorus and ending analysis, 'SUGAR HONEY ICE TEA's' arrangement of sweet words functions as a playful repetitive hook. When directly transitioning from just before the first chorus to the last 20 seconds, it becomes clear whether it closes in repetition or creates a new sound for its conclusion.
Recommended play range for the chorus and ending analysis is the three tracks: '춤 (CHOOM)' → 'SUGAR HONEY ICE TEA' → 'I LIKE IT.' By isolating just the first chorus and ending, we can see if 'SUGAR HONEY ICE TEA' maintains energy or shifts direction. Let’s clarify the reason for remembering 'SUGAR HONEY ICE TEA's' chorus as one of the following: repetitive phrases, rising vocals, or rhythmic changes.
공개일 2026-06-07
앨범·콘텐츠 SUGAR HONEY ICE TEA - Single
아티스트 BABYMONSTER
형식 song
감상 포인트 달콤한 단어의 조합과 경쾌한 리듬을 앞세운 2026년 싱글이다
BABYMONSTER - I LIKE IT
The aspect to focus on in the analysis of the chorus and ending is the role of 'I LIKE IT,' released on 2026-05-04, with the album/content label as 《춤 (CHOOM) - EP》. The specific characteristics of 'I LIKE IT' in this context involve repeating a short and clear expression that connects bright rhythms and individual vocal colors.
In the chorus and ending analysis, 'I LIKE IT' leaves a bright impression by repeating a simple expression of fondness. When directly transitioning from just before the first chorus to the last 20 seconds, it becomes clear whether it closes in repetition or creates a new sound for its conclusion.
Recommended play range for the chorus and ending analysis is the last two tracks: 'SUGAR HONEY ICE TEA' → 'I LIKE IT.' By isolating just the first chorus and ending, we can see if 'I LIKE IT' maintains energy or shifts direction. Let’s clarify the reason for remembering 'I LIKE IT's' chorus as one of the following: repetitive phrases, rising vocals, or rhythmic changes.
In the chorus and ending analysis, 'I LIKE IT' leaves a bright impression by repeating a simple expression of fondness. When directly transitioning from just before the first chorus to the last 20 seconds, it becomes clear whether it closes in repetition or creates a new sound for its conclusion.
Recommended play range for the chorus and ending analysis is the last two tracks: 'SUGAR HONEY ICE TEA' → 'I LIKE IT.' By isolating just the first chorus and ending, we can see if 'I LIKE IT' maintains energy or shifts direction. Let’s clarify the reason for remembering 'I LIKE IT's' chorus as one of the following: repetitive phrases, rising vocals, or rhythmic changes.
공개일 2026-05-04
앨범·콘텐츠 춤 (CHOOM) - EP
아티스트 BABYMONSTER
형식 song
감상 포인트 짧고 명확한 표현을 반복해 밝은 리듬과 멤버별 음색을 연결한다
By listening to the chorus and ending separately, we can see that the center and conclusion of a song don’t necessarily share the same expression. There are songs where the bright, opened chorus maintains its pace until the end, and others where strong chants leave behind vocals or reverberations that change the mood. Rather than pondering which section is better, it’s more useful to explain how the two parts connect.
When creating playlists, try alternating songs with choruses that open immediately with those that build up slowly. This creates more distinction compared to placing strong songs consecutively and allows you to check if the last note flows naturally into the first sound of the next track. When comparing with live versions, keep in mind that crowd reactions might alter ending lengths, so it’s better to familiarize yourself with the structure through the official studio recordings first.
When creating playlists, try alternating songs with choruses that open immediately with those that build up slowly. This creates more distinction compared to placing strong songs consecutively and allows you to check if the last note flows naturally into the first sound of the next track. When comparing with live versions, keep in mind that crowd reactions might alter ending lengths, so it’s better to familiarize yourself with the structure through the official studio recordings first.
한눈에 보기
12개
BABYMONSTER - BATTER UP
2023-11-26 · BATTER UP - Single · BABYMONSTER · song · 강한 비트와 구호형 후렴으로 팀 이름을 처음 각인한 데뷔 싱글이다
BABYMONSTER - SHEESH
2024-03-31 · BABYMONS7ER - EP · BABYMONSTER · song · 일곱 멤버 체제의 시작을 알리며 랩, 보컬과 군무를 한 곡 안에서 교차시킨다
BABYMONSTER - FOREVER
2024-07-01 · DRIP · BABYMONSTER · song · 여름의 밝은 에너지와 빠른 전개, 자유로운 퍼포먼스를 결합한 싱글이다
BABYMONSTER - DRIP
2024-11-01 · DRIP · BABYMONSTER · song · 힘 있는 후렴과 고음, 랩 구간이 단계적으로 상승하는 정규앨범 타이틀곡이다
BABYMONSTER - Love In My Heart
2024-11-01 · DRIP · BABYMONSTER · song · 따뜻한 밴드 감성과 열린 후렴으로 정규앨범의 밝은 마무리를 돕는다
BABYMONSTER - HOT SAUCE
2025-07-01 · HOT SAUCE - Single · BABYMONSTER · song · 복고적인 여름 색감과 반복적인 훅을 이용해 가볍게 속도를 올리는 싱글이다
BABYMONSTER - WE GO UP
2025-10-10 · WE GO UP - EP · BABYMONSTER · song · 상승감을 주는 제목과 퍼포먼스 중심 전개로 다음 활동기의 출발을 알린다
BABYMONSTER - PSYCHO
2025-10-10 · WE GO UP - EP · BABYMONSTER · song · 긴장감 있는 제목과 어두운 음색을 활용해 EP 안의 대비를 만든다
BABYMONSTER - SUPA DUPA LUV
2025-10-10 · WE GO UP - EP · BABYMONSTER · song · 밝고 직접적인 제목처럼 사랑의 에너지를 리드미컬하게 풀어낸다
BABYMONSTER - 춤 (CHOOM)
2026-05-04 · 춤 (CHOOM) - EP · BABYMONSTER · song · 한국어 제목과 몸의 움직임을 전면에 둔 2026년 EP의 중심곡이다
BABYMONSTER - SUGAR HONEY ICE TEA
2026-06-07 · SUGAR HONEY ICE TEA - Single · BABYMONSTER · song · 달콤한 단어의 조합과 경쾌한 리듬을 앞세운 2026년 싱글이다
BABYMONSTER - I LIKE IT
2026-05-04 · 춤 (CHOOM) - EP · BABYMONSTER · song · 짧고 명확한 표현을 반복해 밝은 리듬과 멤버별 음색을 연결한다
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